If you want to learn how to curse, read Richard III. Curses were definitely some of the most important
features of this play. From the very beginning, Richard sees himself as a
cursed man and kind of has an “If you can’t be good, be good at it” mentality.
His actions only worsen his plight, however, and readers are introduced to some
really spectacular curses brought in by an old woman named Margaret, who
suffers at his hands.
I highlighted curses everywhere I found them throughout the
play, and it was really interesting to go back through and see how each was
fulfilled. Margaret’s curses serve as a type of foreshadowing for the rest of
the piece, and it was so cool! She would curse the characters with something,
and so I knew it was bound to happen, though I didn’t know how. Shakespeare
does a great job throwing in some unexpected twists so that each fulfillment is
still unexpected.
Mary and I discussed curses and the part that they played in
the culture back in Shakespeare’s day. I found a video of Martha Henry, a
Shakespeare expert. In it, she is super creepy and says, “Curses were believed
in medieval times…so it wasn’t simply somebody saying to somebody, ‘Oh, may you
rot in hell!’ It was literally whatever it was you said had substance.” This
brought a whole new meaning to the curses, in my opinion! Each one uttered was
expected and sincerely wished to be fulfilled. This ups the level of the
passion in the play, as well as the hatred.
Perhaps my favorite part of the play, the scene that I would
focus on the most, is when the Duchess and Queen Elizabeth question Margaret
about how she became such an accomplished curser. She explains to them that
it’s brought on by exaggerations of reality, by dwelling on the dark parts of
life. “Bettering thy loss makes the bad curser worse. Revolving this will teach
thee how to curse.” After she leaves, the Duchess and Queen Elizabeth proceed
to rip into Richard with a string of curses that left me extremely impressed.
Cursing is a very prevalent part of Richard III and allows readers to feel the deep emotions of the
characters, as well as anxiously anticipate events to come within the play.
This is such an interesting topic! Highlights throughout are a great way to keep track of it all. I found this article that COULD help expound on Margaret's cursings. Great job!
ReplyDeletehttps://www.ukessays.com/essays/english-literature/how-margarets-curse-affects-richard-iii-english-literature-essay.php
I think it would also be interesting to compare the curses in Richard III to the prayers and curses in King Lear. While they were praying to nature and to pagan gods, were they really sincerely wished and expected to be fulfilled the same way that curses were?
ReplyDeleteOn a silly note, have you heard of the Scottish curse? If you say the word Macbeth during a play, the production becomes cursed. https://en.wikipedia.org/wiki/The_Scottish_Play
ReplyDeleteIt comes from the witches curse in Macbeth. Reminds me of the magic Prospero has. Otherworldly.