Showing posts with label posted by Kaitlyn Lindley. Show all posts
Showing posts with label posted by Kaitlyn Lindley. Show all posts

Tuesday, September 20, 2016

In Defense of Quiet


So oft I’m prodded come “out of your shell”--
that noxious expression which clearly states
introversion must be a form of hell,
a disappointment and second-class trait.
A notion that also fails to proclaim
some animals carry shelter where they
go, and that some humans are just the same.
It does not mean that they have less to say.
Sometimes I will stay in at night, fleeing
aimless chat; I won’t feel distraught.
There is no connection between being
the best talker and having the best thoughts.
We have been given one mouth and two ears
To use proportionally, without fear.

image via
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Thursday, September 15, 2016

All You Need is Love

Sonnet 29 reveals the insecurities that trouble a speaker. He feels unlucky, inadequate, and extremely jealous of those around him. The speaker is introspective and also somewhat self-absorbed. The speaker also seems upset with God because “heav’n” has been ignoring him. By the end of the sonnet, the speaker emerges from his state of depression, claiming a mystery person’s “sweet love” brings him happiness and makes him rich. 


Image via
(Turns out the Beatles were just quoting Shakespeare.)
I compared Sonnet 29 to Sonnet 50. Both 29 and 50 deal with themes of depression, loneliness, and hopelessness. Sonnet 50 differs from 29 though, because the speaker in sonnet 50 never finds a way out of the despair. The speaker proclaims at the end, "My grief lies onward and my joy behind." The speaker in sonnet 29 successfully climbs out of the dark place by merely thinking about someone significant in his life. Maybe if the speaker in sonnet 50 had a lover he wouldn't be as sad and lonely?

In Sonnet 29, the volta comes at line 9, where it switches from the speaker's loneliness and depression to his sudden realization that he has someone who loves him and who makes him happy. Yet in these thoughts myself almost despising,/ Haply I think on thee (9-10). As I discussed this volta with Nik, we noted the vagueness of the “thee.”  In the couplet at the end, the speaker repeats that it is “sweet love” that makes him feel rich and content. So the question is, what kind of “sweet love” is he talking about? It appears there are a few different options.

Platonic Love
Since the speaker moaned so much early on about feeling "all alone" and not having any "friends," it seems  he could be talking about friendship here, as if he suddenly remembers that he does have a friend after all: "thee."

Sexual Love

The article I read on Schmoop explained that Shakespeare is playing around with a common conceit found in courtly love poetry, where a lover is said to "worship" his beloved. I also found an article using EBSCO, and it focuses more on the historical context of Sonnet 29, rather than straight content analysis. It expounds on Shakespeare’s feelings of inadequacy and self-consciousness (rather than the speaker's)—specifically about Edmund Spenser. Considering Shakespeare’s life, it’s likely he wrote this sonnet romantically for another man.

Religious Love

On the other hand, the speaker talks about the addressee's "sweet love" as if it's some kind of religious experience in lines 10-12. It appears that the speaker is no longer in a state of spiritual despair by the end, but he doesn't seem to give God credit for it because the speaker doesn't say that God has put him in a better mood. The speaker avoids saying God's name (he uses the word "heaven"). He says that thinking about "thee" makes him happy, so perhaps "thee" could act as a representation for some sort of personal spirituality or salvation. 

The speaker could also be referring to either of the following:
Intellectual Love
Familial Love

Still, there isn’t enough information given to determine the "thee" in this sonnet, so it’s up to the reader to decide.
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Tuesday, September 13, 2016

Kaitlyn's Informal Research for Sonnet 29



"Sometimes I feel sad." - Shakespeare, Sonnet 29
(Not really. But sort of.)

Traditional scholarly source
I found this article using EBSCO. This article uniquely helpful to me because it focuses more on the historical content of Sonnet 29, rather than straight contextual analysis. It expounds on Shakespeare’s feelings of inadequacy and self-consciousness (rather than the speaker's)—specifically about Edmund Spenser.


http://www.slate.com/articles/arts/classic_poems/2013/04/shakespeare_was_depressed_in_sonnet_29_the_bard_writes_of_disgrace_and_fortune.html


Informal online source
I used Schmoop to get an informal summary and analysis. Reading over the Schmoop notes helped me understand the poem more in general and also made it more relatable. The Schmoop analysis also pointed out really interesting connections between the mention of heaven at the beginning and end of the poem, and the significance of the vague "thee" at the volta. 


http://www.shmoop.com/sonnet-29/analysis.html

Media source      

  

This is a clip from Disney's Meet the Robinsons. The character in this clip, Good, walks the hallways at school; even though his peers reach out to greet him, he assumes they all hate him. The speaker in sonnet 29 is similarly jaded about everything in his life. He feels pathetic and lonely and assumes that everyone else is better looking than him or has better opportunities. He feels unpopular; claims he is a “disgrace” in the “eyes” of other “men.”


Social source

I asked Nik to read sonnet 29 and tell me what he thought. He said, “I read it. I get it.” ...Upon further probing he admitted that the line ‘I all alone beweep my outcast state’ is especially interesting to him because it reveals that the speaker operates under the assumption that no one cares about his loneliness. We ended up talking for a while about what loneliness means and who the "thee" at the end might represent--either a friend, lover, or even a relationship with God.
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Wednesday, September 7, 2016

Kaitlyn's Analysis of Sonnet 29



Sonnet 29 reveals the insecurities that trouble the speaker. He feels unlucky, inadequate, and extremely jealous of those around him. The speaker is introspective and also somewhat self-absorbed. The speaker also seems upset with God because “heav’n” has been ignoring him. By the end of the sonnet, the speaker emerges from his state of depression and claims it is because of a mystery person’s “sweet love.”

Content: Sonnet 50 (and 32), like sonnet 29, reflects on depression, jealousy, and loss.

Form: In Sonnet 29, the volta comes at line 9, where it switches from the speaker's loneliness and depression to his sudden realization that he has someone who loves him and who makes him happy. Yet in these thoughts myself almost despising,/ Haply I think on thee (9-10). This is similar to the volta in Sonnet 18, when the speaker turns his thoughts to his lover. But thy eternal summer shall not fade (9).

I think it’s also worth noting that a Shakespearean sonnet rhyme scheme is usually ABABCDCDEFEFGG; however, sonnet 29 is slightly different because the rhyme scheme is ABABCDCDEBEBFF. Shakespeare repeats the B rhyme at lines 10 and 12 instead of using an F rhyme. 
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Wednesday, August 31, 2016

Kaitlyn's Shelfie

I took this in the ol' HBLL. My own bookshelf isn't as monochromatic.
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